Finding the light
My little attic home studio is lacking in light. There is a skylight which shines beams of sunlight in the wrong places, depending on the time of day, and a modest gable window. My best asset is the low ceilings, which I have painted white. They are great for bouncing flash! Pointed at the ceiling, a flash becomes a soft, wide light. I have various cheap constant lights and a couple of flash modifiers but reflection works best for me in most cases. When coupled with a white backdrop, it easily produces enough light for a headshot. Proof, if you need it, that you don't need a lot of expensive equipment to produce a good, basic shot!
When shooting out of doors, the problem is often too much light rather than too little. Whether it's "Golden Hour" or High Noon, clients rarely pick a nice cloudy afternoon for their pictures. Photographing families means going with their schedule and making the best of the conditions. I avoid facing the clients towards the sun (squinty, watering eyes) and opt instead for some fill flash or a reflector. If it's a big group, open shade is a great asset, but trees and grass can cast a greenish hue.
What sets great photographers apart from the rest of us, is how they handle light. It's not a skill they were born with, it is the result of endless practice and experimentation. I spent an afternoon recently on a rainy, grey day, watching You Tube videos about my new flash and playing with the settings. It's the first flash I've owned with a wireless trigger, and off camera flash has been a steep learning curve for me! At least all this practice produced a new headshot for my social media! Stay tuned for more progress!
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